Thursday, January 28, 2010
Wendell Parrish interviewed for Library of Congress Veterans Project
Friday, January 22, 2010
Walter Buettner, Puppeteer of Camp Aliceville
Recently, through information shared by Mary Bess Paluzzi from the Aliceville Museum, I have been able to translate additional materials and put together a fuller picture of Camp Aliceville's puppeteers and puppet plays.
Walter Buettner (1907 to 1990) was a career puppeteer like his father August. By 1929, he had taken some of the old puppet plays his father had presented at carnivals and fairs, refined them a little, and was presenting them at schools as well as fairs.
In 1933, as the Third Reich was gaining power in Germany, puppet plays were banned, and Walter went to work first as a construction laborer at an airport building site between Celle and Lueneberg, then later at the Nobel glycerine works near Geesthacht. In 1940, he was drafted into the marine artillery of the Wehrmacht (the Germany army). There, he found a superior officer who gave him an opportunity to give puppet play performances for his fellow soldiers as a kind of morale booster at the front. Walter worked with his puppets as part of the framework of German army welfare in occupied France until he was captured in 1944.
He was captured by the British and sent to the United States, where he and many other prisoners of war ended up at Camp Aliceville. As Astrid Fuelbier describes his experience in her book, Handpuppen-und Marionetten Theater in Schleswig-Holstein 1920-1960 (Kiel: Ludwig 2002), Walter Buettner did not enjoy working in the compound kitchen, so he set out to search for others in the camp who might work with him to set up a puppet theater.
He was successful in his search. The painter Ernst Hummel was a POW from Karlsruhe. Hummel had once cared for the props and costumes of a marionette theater kept by a Frankfurt dentist (W. J. Caesar) in the attic of his home, and he laid out a plan for a similar theater in the POW camp.
Franz Vernahmer, a POW from Dortmund, was a puppet maker and used his creativity to fashion tools for puppet making from things on hand like rusty files. Herbert Wille had been a sheet metal worker and an electrician, so he became the general handyman for the puppet theater. Others who helped were Karl Heinrich, a teacher and musician from Ebenrode in East Prussia, and a POW from Magdeburg who became the stage manager.
The first puppet production at Camp Aliceville was Indienfahrt (Indian Journey), which Walter had performed earlier in Germany. Later, the group entertained with Schloss Elmenor, based on Oscar Wilde's short story, "The Canterville Ghost." Once the group had acquired actual wooden marionettes (like those of Mephisto and Faust in the photo at top left), they presented other plays, including "The Goose" by Hans Steguweit.
When Camp Aliceville closed, Walter spent additional POW time picking cotton in Mississippi before returning to Germany. His puppets, which had been left behind, were packed up in a large packing case and eventually shipped to him in Germany through the International Red Cross.
After the war, Walter returned to puppet theater as a career. He settled not far from Hamburg in 1951 and built his Kasperhaus (Punch and Judy-type puppet theater) and became known worldwide as Der Heidekasper (The Pagan Punch).
NOTE: The photo of puppets (Faust and Mephisto) used by Walter Buettner and some information in this article are from the Wikipedia article about Walter Buettner. Translation by Ruth B. Cook
Friday, January 15, 2010
Former Camp Aliceville POW Sends New Year's Greetings
By May 1942, Wilhelm was in North Africa with the 4th Panzer Division wireless unit, and it was in North Africa, on the fertile Tunisian peninsula of Cape Bon, that he was captured by the British in May 1943.
Wilhelm arrived in Camp Aliceville near the end of the summer in 1943. He was assigned to Company 19 in Compound E. Although he left the United States after the war in March 1946, Wilhelm was transferred to French custody, and it was not until January 1948 that he was able to return home, resume his banking career, marry and raise a family. (See my book, Guests Behind the Barbed Wire (Crane Hill, 2007), for the rest of his story.)
Many years later, Wilhelm returned to Aliceville, Alabama with his family for reunions of the POW camp staff, prisoners, and townspeople. During visits, he often gave a speech about world peace and the value of freedom. He and his family became houseguests and fast friends of Chuck and Jane Gwin. Chuck is a banker in Aliceville, and the two men had much in common. The photo at left above shows a kindergarten class helping Wilhelm celebrate his 85th birthday at the Aliceville Museum. His grandson Philip enjoyed the company of the other children. In the background of this photo, you can see former Aliceville POW Hermann Blumhardt playing German and American folk songs on his accordion for the children.
This week, across the miles and the memories, and in among the legacies of war and peace, I received a wonderful New Year's e-mail from Wilhelm Schlegel. In addition to personal wishes for health and joy of life in the coming year, Wilhelm wrote the following (translation follows):
Wir leben in einer Zeit der Ungewissheit und bangen um den Frieden in der Welt , die nicht zur Ruhe kommt. Gerne denke ich an die Zeit in Aliceville und die lieben Freunde, die ich gerne wiedersehen moechte, zurueck--aber in meinem Alter sind die Strapazen zu gross. So lebe ich gerne mit guter Erinnerung an Alabama.
TRANSLATION: We live in a time of uncertainty and are concerned about peace in the world, which does not come. I think with pleasure about the times in Aliceville and the dear friends that I would like to see again. However, at my age, the strain would be too great. So, I live with my good memories of Alabama.
I, too, have good memories of Aliceville and of the many friends, both German and American, that I have met there and with whom I have shared good times and hopes for world peace.
With Wilhelm, I wish all of my readers herzlichen Gruessen und den besten Wuenschen for the year 2010.